Casting announced for Jane Eyre
Casting for Sally Cookson’s energetic and imaginative new adaptation of Charlotte Brontë’s masterpiece, Jane Eyre has been confirmed with Nadia Clifford taking the title role of Jane Eyre and Tim Delap as Rochester.
Manchester born and bred Nadia Clifford’s previously appeared at the National Theatre in Alistair McDowell’s sell out production of Pomona and Tim Delap will make his NT debut as Rochester.
They are joined by Hannah Bristow (Helen Burns/Adele/St John/Grace Poole/Abbot), Matthew Churcher (Musician), Alex Heane (Musician), Melanie Marshall (Bertha Mason), Belfast born and bred Paul Mundell (Mr Brocklehurst/Pilot/Mason),Cardiff born David Ridley (musician), Evelyn Rivers (Bessie/Blanche Ingram/Diana) and Lynda Rook (Mrs Reed/Mrs Fairfax). The cast is completed by Ben Cutler, Jenny Johns, Dami Olukoya, Francesca Tomlinson and Phoebe Vigor.
2017 marks the 170th anniversary of the first publication of Jane Eyre – a significant time to be touring Charlotte Brontë’s classic and much loved story. The highly acclaimed co-production between the National Theatre and Bristol Old Vic opens at The Lowry in Salford on 8 April and will continue its journey around the country to Sheffield, Aylesbury, Plymouth, Southampton, Edinburgh, York, Woking, Glasgow, Richmond, Canterbury, Cardiff, Newcastle-upon-Tyne, Milton Keynes, Norwich, Brighton, Leeds, Belfast, Aberdeen and Birmingham.
This exciting new stage version of Jane Eyre was originally presented in two parts at Bristol Old Vic, and then transferred to the National Theatre, re-imagined as a single performance, playing to sold out houses at the NT’s Lyttelton Theatre. The production was devised by the original company, with set designs by Michael Vale, costumes by Katie Sykes, lighting by Aideen Malone, music by Benji Bower, sound by Dominic Bilkey, movement by Dan Canham and dramaturgy by Mike Akers.
Director Sally Cookson, said: “Adapting a novel for the stage is a challenging prospect – especially when that novel is cited as many people’s favourite of all time. It is always daunting when you’re working on a story which everyone knows so well, because you want to surprise and maybe challenge people’s expectations, without losing any of the things which make them like the story in the first place.
“I chose this particular title because it’s a story that I love and have enjoyed a close relationship with ever since I was intrigued, as a child, by Orson Welles’ black and white melodrama with fabulous music by Bernard Herrmann.
“I didn’t actually read the novel until I was in my early twenties and I remember thinking while I read it: ‘This is a clarion cry for equal opportunities for women, not a story about a passive female who will do anything for her hunky boss’. I was struck by how modern Jane seemed – her spirit and strong will, her peculiar and brilliant mind striving for personal freedom to be who she is, lashing out against any constraint that prevents her from being herself. She was exactly the sort of person I wanted to be.”
Charlotte Brontë’s story of the trailblazing Jane is as inspiring as ever. This bold and dynamic production tells the story of one woman’s fight for freedom and fulfilment.
From her beginnings as a destitute orphan, Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.
Theatre Royal, Glasgow
Monday 5-Saturday 10 June
Mon-Sat eves, 7.30pm
Thurs & Sat mats, 2.30pm
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www.atgtickets.com/glasgow (bkg fee)