Theatre Review: Blood Brothers, Edinburgh Playhouse ✭✭✭✭✭
A captivating
and heartbreaking tale about twin boys – the Johnstone twins – separated at
birth and eventually reunited by a twist of fate. After almost 30 years, Blood Brothers remains a compelling and
emotionally exhausting show exploring the inequality of class, crime and family relationships. Realities that are becoming increasingly relevant once more as Britain struggles through the economic downturn.
Maureen Nolan
as Mrs Johnstone, the twin’s mother, captures both the hardship of a
single-mother struggling to make ends meet, as well as the fun loving young mum
who goes dancing.
Warwick Evans
delivers an eerie performance as the Narrator. He lurks in the shadows of Andy Walmsley’s effective set and oversees
the drama unfold. He continually haunts Mrs Lyons (Tracy Spencer) with his solemn
narrative and strong vocals, which makes a great combination with Nolan during Light Romance.
The cast – Mickey (Sean Jones), Eddie (Mark Hutchinson),
Sammy (Daniel Taylor) and Linda (Olivia Sloyan) – capture the children’s innocence
with their humorous banter and games, such as cowboys and Indians. In amongst their
childish play, there is the prevalent theme of death that runs throughout the
show.
Jones and Hutchinson’s relationship reflects the close bond between
the twins as each brother attempts to pass on their knowledge of growing up
and ‘girls’ to the other. The audience naturally warm to the twins as they watch
their relationship develop and grow up.
Sean Jones produces an emotional, compelling and desperate performance of Mickey when his health and life deteriorate following time in prison and a
drug addiction. As Mickey's life unravels the piece comes to a dramatic and inevitably tragic end making the audience jump from their seats in fright and ensuring there is not a dry eye in the house.
The
entire cast deliver a powerful performance and receive a well-deserved standing
ovation. Don't miss the chance to hear the story of the Johnstone twins, they'll break your heart.
Review by Mhairi Greer